ADEREMI ADEGBITE invents and inaugurates the first Nigerian Cultural Institute of Yoruba Culture. ANUJA GHOSALKAR reflects on the complicated ethics and harsh economic realities of working as an artist in India. REHEMA CHACHAGE shreds a heap of rejected funding applications and transforms them manually into something radically new. ABHISHEK THAPAR takes the audience on an intimate and speculative journey through their bank accounts, hearts and minds. AZADE SHAHMIRI’S lecture performance shows representations of the West in Iranian plays and poses questions from the past to the present. NORA AMIN sheds light on the history of so-called "belly dance" in her solo performance, wrestling the dance form from the exoticized and voyeuristic gaze and transforming it into the empowered expression of the dancer.
White Money as a project also seeks to stretch the boundaries of German funding regulations – by letting the participating artists decide on how to spend the money. Because this project is also funded by "white money".
CREATED BY Aderemi Adegbite, Nora Amin, Rehema Chachage, Anuja Ghosalkar, Konradin Kunze, Abhishek Thapar, Azade Shahmiri, Sophia Stepf PROJECT ASSISTANT Elisabeth Mascha LAB ASSISTANT Johanna Weisheit TECHNICAL DIRECTOR Timo Block PRODUCTION MANAGEMENT Drittmittel Produktionen VIDEO Shaheen Dill-Riaz, Konradin Kunze
A production by Flinn Works in co-production with SOPHIENSÆLE. Supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media and the Berlin Senate Department for Culture and Europe.
In cooperation with the Institute for Cultural Policy at the University of Hildesheim.